|
Artbrain! society and culture |
Warning: include() [function.include]: URL file-access is disabled in the server configuration in /home/artbrain/public_html/la-dolce-vita.htm on line 65 Warning: include(http://www.artbrain.co.uk/top-art-ad.php) [function.include]: failed to open stream: no suitable wrapper could be found in /home/artbrain/public_html/la-dolce-vita.htm on line 65 Warning: include() [function.include]: Failed opening 'http://www.artbrain.co.uk/top-art-ad.php' for inclusion (include_path='.:/usr/lib/php:/usr/local/lib/php') in /home/artbrain/public_html/la-dolce-vita.htm on line 65 please visit our sponsor |
||||||||||||||
|
home >> fine art >> contemporary classical >> jazz >> poster & print shop >> book shop >> world society |
|
La dolce vita (1960) is a film directed by Federico Fellini. One of the works that defined the characteristic Fellini style, it is a vast panel of long, loosely connected scenes that paint a portrait of the high and low life of Rome in the late fifties and early sixties, as seen through the eyes of its main character, a jaded society reporter, Marcello (played by Marcello Mastroianni), in his dealings with his simple, jealous lover (Yvonne Furneaux), a sophisticated woman (Anouk Aimée) with whom he has an episodic relationship, a beautiful bombshell (Anita Ekberg) whom he follows in her wanderings through Rome (including the notable scene of her night bath in the Fontana di Trevi), and a multitude of other characters of all walks of life. Fellini observes all these people with evident affection, but passes no moral judgment on their actions. Spoiler warning: Plot or ending details follow. Among the famous scenes of La dolce vita are the false miracle, when two children fake an appearance of the Virgin on the outskirts of Rome, drawing immense crowds, and the episode of Steiner (played by Alain Cuny), an intellectual friend of Marcello with a perfect family life, who ends up committing suicide. After Steiner's death Marcello embarks on an aimless life of orgies, after one of which he walks out in the early morning to find a dead sea monster on the beach, the symbolic end to the film. La dolce vita has earned the 1961 Academy Award for Best Costume Design, Black-and-White, for art director Piero Gherardi. [edit] |